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Szalay arranges, groups and processes these elements, as a result of which these fictitious relics are placed on the walls, in the space, an in display cases, giving the impression of systematized orderliness and directed remembrance. This artistic gesture brings with it a number of consequences that are worth thinking over. One of these is the relationship between contemporary art and historicality, which is, as per the temporal dimension, by necessity relative.
In the present case, the artist, purely through the means of representation, declares something a historical relic, when it isnt necessarily that.