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Nevertheless, the legitimacy of enamel in contemporary art is yet to be recognized. As part of our series of exhibitions introducing the artists of the Pecs Workshop, the selection of enamel works by Sandor Pinczehelyi intends to shed light to this deficiency, calling attention to an underrated conceptual, mediatic and site-specific segment that seeks to be (re)discovered and researched.
Both processes result in statuette-pairs with polygonal surface structures. The contrasting of these two types of abstract form systems addresses the issues of sculptural abstraction. With this method, known from filmmaking and television productions, objects and human figures photographed in the green box are lifted from their actual physical surroundings and, with the help of digital montage technology, inserted into the desired environment.