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And they have an afterlife because in the process of living, they are also dying, or at least, departing, taking-leave from themselves and this from their birth. 12 Its this taking leave from themselves that begins the moment a work comes into being that appeals to me, for reasons that I hope the above description has clarified. Where I obviously depart from Benjamin is with regards to the translatability of translation: for him, translation is the limit, the threshold beyond which there is no further translation.
Translation transports the original into a sphere of limited reproducibility, in which it cannot live very long. Afterlife is not eternal life, Weber writes.